Posts tagged Nightclub

Going the extra mile

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One of the things I became aware of when deciding to go about the photography as a business, was the need to get my profile raised, and to build a bond of trust with clients. How do you go about doing this with customer number 1? They have no reference point whatsoever, they cannot ask your previous clients, and your portfolio doesn’t necessarily have the type of work you want to do. What do you do then?

For me, an opportunity came around with the nightclub. They were wanting to offer a part time job, but I wanted to have my business. So I had sat down with the assistant manager to discuss what they needed from a photographer, and it became apparent that they still hadn’t actually decided whether or not they felt a photographer was actually needed. So I had decided to offer a couple of nights completely free. By doing this, I was able to let him see the quality of the work I can bring to him as a client, but also demonstrate that I am prepared to make him feel like he is getting the better end of the deal.

The outcome of it was that he really liked my photos, and could demonstrate to head office why they needed a photographer. Being able to offer this as a service rather than a new employee made his life simpler. Paying an invoice each week is simpler than hiring, training, all the general HR fluff etc….

Extending beyond the previous post, whenever a fight does happen, and I get the shots, I don’t wait until the following day to process these particular photos. Even though it is invariably 5am by the time I’m ready to actually sleep, I will take the extra 10-20 minutes to get the photos of the fight and related shots across to them that night. This way, they have the photos ready for when they get back into work. I’m pushing myself a bit to make the client appreciate that I understand their needs.

Finally, I am also uploading all the photos from the nights onto the clubs Facebook and Bebo pages (I have NDA’s in place to cover the fact I have their passwords). This is something I don’t *have* to do, but I offer to do. Why? Because this is something that takes them a lot of time to do, but not a major amount of time for me to do. My IT department is more flexible than theirs, so I can use tools to speed the process.

The golden rule here is going the extra mile makes the customer feel like they are getting the better side of the deal. Anybody who is scared at this thought shouldn’t be. Customers are the lifeblood of any business. And the only thing better than customers, is repeat customers! So why should you not make the customer feel like they are getting the better side of the deal? It should never be to the point where the client is saying to themselves “I can’t believe they’re giving this stuff away!”, but to the point where the client thinks “I really am getting value for money!” The other aspect to going the extra mile is that if you are prepared to do it, and your customer knows you do the extra work, it makes it harder for them to find another photographer for the same amount or cheaper, who will do the same degree of work.

Naturally this business model doesn’t work for every type of client. But almost as valuable as repeat customers, is a very good reputation. So even if the client is likely to be a one time customer, that does not mean that they are permanently forgotten about. In the age of Internet we live in, anyone can post defamatory comments about you on places you have no control over, but so can anyone post glowing comments about you. So try to treat every client as if they are going to be repeat customers and be prepared to go the extra mile for them, even if they aren’t their ability to provide good praise is worth the extra time you take on them.

Fights are an unfortunate side effect

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People get drunk. People sometimes get so drunk, that a simple indiscretion such as someone bumping into you means you have to retaliate with fists. On a dance floor, people are drinking, and people do get unfortunately close at times. Fights don’t happen all the time, far from it. Most of the time, people are forgiving, and just out to have a good time, but you do get the odd occasion.

As a photographer for the club, my remit is to take pictures for them to use on their social networking sites. However, when a fight does unfortunately break out… I find myself in a situation where half of me screams run away, but the other half of me forces me to stay, and take pictures. I’ve been raised in an environment where I know what power evidence is in a criminal case. This is not particularly to protect the club or it’s staff, but for the protection of the customers as well. If I do catch a bouncer acting out of line (I have yet to, the people I work with are professionals), that photo doesn’t mysteriously disappear, it is offered on a whole CD with the rest of the photos to club. If the Police want a copy of a CD, the club can’t simply give them my CD minus some photos.

The point is, I am there as a neutral observer. This extends further to the point that as the bouncers decide to turf a customer out the back exit, I will follow the bouncers and customer, but I choose to stay a couple of steps behind. The bouncers know why I am there. If anything kicks off, having a neutral individual to prove that it was “X who threw the first punch” is valuable to them. But the customers who are pumped up on alcohol and adrenaline won’t appreciate the fact I am there is also for their protection. If the bouncers were to act out of line to a now cooperating customer, I am also there to capture that.

So I have to take a cautious decision each time I follow the bouncers out the back exit how close I will stay behind, how ready I am with the camera, how much I let the customer know I am there. I know that if the customer objects to my presence, it could be enough to kick them off again, and that is a situation I intend to avoid… an observer is exactly that… not a participator or antagonizer.

So if any of my fellow photographers out there shoot in club land, talk with your bouncers and explain how you can help them if/when fights kick off, explain how you are there purely as observer, and talk about the following of them and customer out the door and why this is necessary. And remember that even on a wide angle, the chances are your camera will equal if not exceed the CCTV systems which traditionally are mostly 640×512 pixels in size.

And to everyone else… fights do happen, but they are not something you need to worry about, but the staff and associated members like me do.

Life behind the lens

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1st Blog Post – so firstly, a warm welcome to anyone who has stopped by to take a peek. I intend to use this blog to discuss the various things that are going on in the world of Trossachs Photography, and include various snippets of knowledge I have gained throughout the years.

I recently read a post on my friends blog, http://www.alexaispas.com/2010/03/17/mount-everest/ where she talked about identifying something that you desperately want to achieve, but is unimaginably difficult to do, or a “Mount Everest”. I found this an interesting concept, and I discussed in some length in a comment on her blog post what my Everest was, and interestingly for a photographer, it was art itself. It is thankfully through the medium of photography that I am being able to express my artistic nature, as well as being able to make a small amount of money on the side as well.

My day job outside of photography continues to drive and challenge me, and I can foresee the workload increasing here. I wish I could talk more about it, but:

  1. It is not in my nature to be secret… but I would have to kill you afterwards
  2. Nobody is here to read about me as an IT Product Manager!

On the photography side of things, I am starting to see a steady increase in work from the City Nightclubs up here in Scotland. My original club, City Perth, are bringing me back on a weekly basis on a Saturday night, and are loving the shots they are getting. They are driving 8000 hits to their Facebook and Bebo accounts, which shows that their marketing strategy of using Social Networking to raise the company profile is working, and after a discussion with the manager, it is mostly driven by my photos. As you can imagine, I am somewhat of a happy individual at that report! It looks like City Perth may be introducing a new Friday Night gig, I can’t say what yet, but it is going to be amazing, and I’m provisionally pencilled in for the opening night. I’ve the Olly Murs gig on the 23rd of April at Perth, possibly the Lisa Lashes gig on Easter Sunday at Perth, possibly “I Love… Easter” on Thursday 1st April in Falkirk, along with the weekly Saturday gigs in Perth.

Aside from the nightclub shots, I am also attending the British Downhill Series this year with Media accreditation. The first round of this is in Rheola, South Wales on the 10th and 11th of April, and some big names from the Downhill Mountain biking are signed up already including all three Athertons, Scott Mears, Chris Hutchens, Tom Braithwaite and Danny Hart to name a few. My aim for this year is to build more persona in the Mountain Biking scene. I’m also attending the UCI World Cup in Fort William this year as well like I have the past few years… I would have loved to attended the foreign events, but owing to a large number of conspiring events, money is not stretching to that. 🙁

So, 1st post down, and hopefully I’ve given anyone interested or being nosey, enough of an insight as to what is going on right now. Now I’ve got to start processing some 390 odd photos from last night in the club. Should come down to around 250-300 shots uploaded when finished.

Links

  • Judge Joe Brown knows his Photography – A cautious tale for anyone taking up photography professionally… know your stuff
  • Phunkt.com – A fellow mountain biking photographer who’s quality is amazing, but just don’t go looking for riders in hoodies 🙂
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