David

David

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Home page: http://www.TrossachsPhotography.co.uk

Posts by David

A little reminder why I love my Camera

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I was looking on the BBC’s website today, and noticed one of their “Zoom” images, where basically they provide an image from a current news story, and you can zoom in to the detail. Knowing that my camera takes 18 Megapixel images (5,184 x 3,456), and that the images on the BBC’s website is about 1000 pixels wide, it means the user can zoom into the detail up to 5 times. Detail that is barely visible at the reduced width suddenly becomes aware in the full resolution image.

Take a look at http://www.bbc.co.uk/news/world-asia-pacific-12731778 and look at the building on the left hand side. At first look, you can see the high water line of the Tsunami, but zoom in, and you can see multiple high water lines, this more than likely being from the high tide and low tide effect on the body of water.

Call me a geek, but I do love to pixel peep!

The Police get involved

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Back at one of my Nightclub events I took photos of last year, I was informed by one of the managers of the club that an incident had taken place out-with the premises, but the Police were interested in obtaining the originals to the photographs, as they believed the individual(s) involved were present in the club earlier, and that I may have taken some photos of them. Whilst this case is ongoing, and I am not able to provide identifying details, I can at least comment on my experience, disseminating where necessary.

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Photographers rights in the UK…continued

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I had mentioned in a previous post about the fact that the Police in the UK have no right to delete images once they have been taken. Recent events in London have further reinforced this right we as photographers have. Here a reporter was outside of a Police cordon, taking pictures, when a Police Sergeant ‘forced’ the reporter to delete her images. Subsequently, the Met Police Commissioner admitted that the Police don’t always uphold the law correctly in this area.

I quote directly from ACPO Media Guidlines:

Once images are recorded, we (the Police) have no power to delete or confiscate them without a court order, even if we (the Police) think they contain damaging or useful evidence.

UCI Mountain Bike World Cup 2010

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So, I’m sat here in my tent at the end of another glorious weekend in Fort William. This event never ceases to amaze me at how increasingly popular it becomes, with nearly 20,000 spectators flocking to the Nevis Range. British stars Gee Atherton and Rachel Atherton came away with 1st Mens and 2nd Womens respectively, as well as the welcomed return of crowd favourite Cédric Gracia! There is so much I could post about, but so little time tonight. So instead let me leave you with a little video I snapped at the end of the event as the Santa Cruz Syndicate team left the pits in Rock and Roll style!

Santa Cruz Syndicate team leaves the pits in style! and now in YouTube 1080p style

Best equipment is not Best photos

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A friend of mine is just starting her journey into DSLR Photography, and I took the time to reflect on the equipment she has and the nature of choosing the right equipment for your ability. In her case she’s ideally placed for her learning with her entry level Canon, kit IS Lens and long reach IS Lens.

But I have seen in the past people who have money to burn who go all out buying expensive kit, which is not suited to them at all! It is easy to assume that if you buy a pro camera, that the quality of your shots will match a professional’s, but the fact is I have seen professionals using cheaper bodies and equipment that outshines the amateur with the flashy kit.

When choosing your equipment, try to not aim too high. If you are an amateur learning the ropes then a Canon 1000D will produce the same results in your hands as a Canon 1Ds MkIII. This is not meant to be an insult to your ability, but it is a fact that you will be learning much of the principles of photography, and the cheaper body will do perfectly for this. Buying a more expensive body will end up causing you frustration with it’s infinite buttons, and you run the risk of using the camera in a limited capacity.

If you do have money to burn but starting out, the best place to be spending that on quality Lenses. The quality of the glass, the stabilisation, the Bokeh, the build quality are all things which become limiting factors in your photography. The less of any of these qualities, will cause you to reach limits in your photography, that an expensive body alone can’t fix.

Now this is not to say there is no merit in buying above your level. If you are willing to give the time and effort needed to really learn the skills, then you will grow into the more expensive body, but my advice still is to look at the Lenses being the limiting factor to your photography.

Above all else, there is a great case for going down to your local camera shop, or a reasonable larger chain like Jacobs in the UK, and discussing what it is you want to do with your photography, and get some sound advice from them. But I would urge caution dealing with large national chains, who’se reputation for consistently impartial advice and not upsells are not the strongest.

Knowing your rights in the UK

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After Google recently opened up their Street View service to around 95% of the UK Roads (link), a debate has been kicking off again with worried parents complaining that their children can be seen playing in the street, and that these images should be removed immediately. This debate encompasses the law of photography rights in the UK, and what you can and can’t take pictures of. Many learned scholar has gone into greater detail on this, and the defacto guide on this currently is the UK Photographers Rights Guide v2 by Linda Macpherson LL.B, Dip. L.P., LL.M  who is a freelance legal consultant specialising in Media Law and Intellectual Property Law, as well a part time Law lecturer.

So heavily paraphrasing her document, what can you and can’t you do in the UK as a photographer:

Apart from the few exceptions listed below, if you are outside in a public place, on public property, you can generally take pictures of whatever you like

Exceptions:

  • If you take pictures of people in a way that they would have expected privacy, this is an invasion of privacy, and against the law. This is the “anti-paparazzi” law, so you can’t use your telephotos climbing up a tree and taking pictures into someone’s bedroom
  • If you are taking pictures for a non personal basis in Trafalgar Square, Parliament Square, or in any of the Royal Parks. Commercial rights require licensing for the Royal Parks (where a fee is payable), and special permission must be obtained and a large fee paid to the Greater London Authority if you want to take commercial photos in the first two
  • Harassing of individuals. You cannot follow people around and continually take their photos without their permission, this is also covered under Invasion of Privacy. This does not stop the ability to take a couple of shots of anyone, but you need to play a fine balance between getting the shot, and harassing
  • Obstructing public highways, including pavements and cyclepaths. Generally, if you are obstructing a highway, and an officer approaches you, they will most likely ask you to remove the obstruction (yourself or your equipment). If you are faced with this situation, do remove the obstruction, and very politely ask the officer where you would be able to shoot from. Politeness is the key word here. “So where AM I supposed to take pictures from?” is not polite… “I would like to take pictures of XYZ, so could you let me know if there is anywhere around here that I could take pictures from, that would not be obstructing?” is polite
  • National Security. This is the biggie that has gotten many photographers worried in recent years. The Official Secrets Act prohibits photography of a Prohibited Place where this may be useful to an enemy. The Terrorism Act 2000 is the biggest issue, as it grants officers and PCSOs accompanied by Constables the ability to Stop, Search and Seize any articles which are likely to be useful to a terrorist. This incredibly vague term means that you are at the mercy of the Officer’s discretion on what could be and couldn’t be useful. The best course of action is to politely discuss exactly what you are doing, and provide the Officer with all the details they ask for. This will make for a much nicer and friendlier outcome
  • Other less noteworthy exceptions outdoors explained in the above document

What should I do if I’m approached by anyone who takes grievance to your taking of photos.

  • Politely inform them of who you are (the company you are representing, or just a tourist), what you are taking pictures of, and why (photo album, for a client etc…)
  • Inform them that you are not intending to infringe on their privacy, and the law permits you to take these pictures

What should I do if I’m approached by a Police officer or PCSO

  • Be Polite – this cannot be over emphasised enough. Someone who is defensive makes a problem for themselves, as the officer then believes you have something to hide.
  • Be open and honest – explain to them why you are doing what you are doing, who it is for, where it will go, show them the pictures. If they can understand your story, they will be able to make a better judgement call on the fact you are not braking any laws
  • Do provide details if you are asked – If they finally decide that you are indeed being honest, they will likely ask you to prove your identity, which they will check. Provide them with this information. You have nothing to hide, and a lot to lose by being arrogant at this stage. If you start being uncooperative at this stage, the situation will quickly deteriorate into a very bad situation for you

What should I do if I’m approached by a “Plastic Officer” i.e. an official for a company who has no power of arrest

  • Be polite
  • Check that you are on public property. If you are on private property, you need the permission of the owner to take photos. If they refuse, and you continue to do so, you are trespassing. They are then able to take reasonable steps to escort you from their property, including calling the police. Remember that your definition of what Public Property is, isn’t necessary the legal term. Things like shopping centres either indoors or outdoors are likely to be private property, unless there are official street signs – but treat this with caution
  • If you are not trespassing, be polite and state your case, as above. You have every right to take photos of their buildings. If they complain that you cannot take pictures of a building because of copyright, remind them that buildings are not covered by copyright law, and trademarks are allowed to be photographed
  • If you are asked to move on, even if you are not trespassing, it is wise to do so. Do however take details about the individual(s) who is escorting you from the area, and you are within your rights to take a photograph of them. If they ask why you have, explain that you will be making a formal complaint to the property owner, to your local MP, and writing up a report for the paper. This may make the situation worse, but you have to be able to defend your rights.
  • If you feel you have been aggrieved by being forced to move on from a public area by the “plastic officer”, go online, and find out who owns the buildings they came from, and write them a letter of complaint, explaining the fact you have the rights to take photos, that you were on public property, that you were escorted out of the area by the plastic, and that you are considering taking legal advice regarding the situation. Courtesy copy this letter to your local MP, and very much DO write up a letter and send it to multiple papers and news stations in your area.
  • If for whatever reason this situation deteriorates into police involvement… get yourself very calm, and refer to the above section on Police.

And finally, you can never be forced to delete a photo by ANYONE. A member of the public or a “plastic officer” are effectively nobodies in a legal sense. Their demand to delete a photo is without legal backing. An officer of the law should never force you to delete a photo, they are aware that doing so actually is detrimental to them… A photo is evidence, and the Police cannot destroy evidence.

But do remember, above all, do be polite. I have seen too many examples online of photographers who “know their rights, and I’m not telling you anything…are you arresting me…are you arresting me…”, and it saddens me to think that people are starting to see us a group of individuals who are becoming truculent in this way. If you fail to be polite, the world comes crashing down very painfully, and you quickly have only your arrogance to blame!

Going the extra mile

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One of the things I became aware of when deciding to go about the photography as a business, was the need to get my profile raised, and to build a bond of trust with clients. How do you go about doing this with customer number 1? They have no reference point whatsoever, they cannot ask your previous clients, and your portfolio doesn’t necessarily have the type of work you want to do. What do you do then?

For me, an opportunity came around with the nightclub. They were wanting to offer a part time job, but I wanted to have my business. So I had sat down with the assistant manager to discuss what they needed from a photographer, and it became apparent that they still hadn’t actually decided whether or not they felt a photographer was actually needed. So I had decided to offer a couple of nights completely free. By doing this, I was able to let him see the quality of the work I can bring to him as a client, but also demonstrate that I am prepared to make him feel like he is getting the better end of the deal.

The outcome of it was that he really liked my photos, and could demonstrate to head office why they needed a photographer. Being able to offer this as a service rather than a new employee made his life simpler. Paying an invoice each week is simpler than hiring, training, all the general HR fluff etc….

Extending beyond the previous post, whenever a fight does happen, and I get the shots, I don’t wait until the following day to process these particular photos. Even though it is invariably 5am by the time I’m ready to actually sleep, I will take the extra 10-20 minutes to get the photos of the fight and related shots across to them that night. This way, they have the photos ready for when they get back into work. I’m pushing myself a bit to make the client appreciate that I understand their needs.

Finally, I am also uploading all the photos from the nights onto the clubs Facebook and Bebo pages (I have NDA’s in place to cover the fact I have their passwords). This is something I don’t *have* to do, but I offer to do. Why? Because this is something that takes them a lot of time to do, but not a major amount of time for me to do. My IT department is more flexible than theirs, so I can use tools to speed the process.

The golden rule here is going the extra mile makes the customer feel like they are getting the better side of the deal. Anybody who is scared at this thought shouldn’t be. Customers are the lifeblood of any business. And the only thing better than customers, is repeat customers! So why should you not make the customer feel like they are getting the better side of the deal? It should never be to the point where the client is saying to themselves “I can’t believe they’re giving this stuff away!”, but to the point where the client thinks “I really am getting value for money!” The other aspect to going the extra mile is that if you are prepared to do it, and your customer knows you do the extra work, it makes it harder for them to find another photographer for the same amount or cheaper, who will do the same degree of work.

Naturally this business model doesn’t work for every type of client. But almost as valuable as repeat customers, is a very good reputation. So even if the client is likely to be a one time customer, that does not mean that they are permanently forgotten about. In the age of Internet we live in, anyone can post defamatory comments about you on places you have no control over, but so can anyone post glowing comments about you. So try to treat every client as if they are going to be repeat customers and be prepared to go the extra mile for them, even if they aren’t their ability to provide good praise is worth the extra time you take on them.

Fights are an unfortunate side effect

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People get drunk. People sometimes get so drunk, that a simple indiscretion such as someone bumping into you means you have to retaliate with fists. On a dance floor, people are drinking, and people do get unfortunately close at times. Fights don’t happen all the time, far from it. Most of the time, people are forgiving, and just out to have a good time, but you do get the odd occasion.

As a photographer for the club, my remit is to take pictures for them to use on their social networking sites. However, when a fight does unfortunately break out… I find myself in a situation where half of me screams run away, but the other half of me forces me to stay, and take pictures. I’ve been raised in an environment where I know what power evidence is in a criminal case. This is not particularly to protect the club or it’s staff, but for the protection of the customers as well. If I do catch a bouncer acting out of line (I have yet to, the people I work with are professionals), that photo doesn’t mysteriously disappear, it is offered on a whole CD with the rest of the photos to club. If the Police want a copy of a CD, the club can’t simply give them my CD minus some photos.

The point is, I am there as a neutral observer. This extends further to the point that as the bouncers decide to turf a customer out the back exit, I will follow the bouncers and customer, but I choose to stay a couple of steps behind. The bouncers know why I am there. If anything kicks off, having a neutral individual to prove that it was “X who threw the first punch” is valuable to them. But the customers who are pumped up on alcohol and adrenaline won’t appreciate the fact I am there is also for their protection. If the bouncers were to act out of line to a now cooperating customer, I am also there to capture that.

So I have to take a cautious decision each time I follow the bouncers out the back exit how close I will stay behind, how ready I am with the camera, how much I let the customer know I am there. I know that if the customer objects to my presence, it could be enough to kick them off again, and that is a situation I intend to avoid… an observer is exactly that… not a participator or antagonizer.

So if any of my fellow photographers out there shoot in club land, talk with your bouncers and explain how you can help them if/when fights kick off, explain how you are there purely as observer, and talk about the following of them and customer out the door and why this is necessary. And remember that even on a wide angle, the chances are your camera will equal if not exceed the CCTV systems which traditionally are mostly 640×512 pixels in size.

And to everyone else… fights do happen, but they are not something you need to worry about, but the staff and associated members like me do.

Life behind the lens

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1st Blog Post – so firstly, a warm welcome to anyone who has stopped by to take a peek. I intend to use this blog to discuss the various things that are going on in the world of Trossachs Photography, and include various snippets of knowledge I have gained throughout the years.

I recently read a post on my friends blog, http://www.alexaispas.com/2010/03/17/mount-everest/ where she talked about identifying something that you desperately want to achieve, but is unimaginably difficult to do, or a “Mount Everest”. I found this an interesting concept, and I discussed in some length in a comment on her blog post what my Everest was, and interestingly for a photographer, it was art itself. It is thankfully through the medium of photography that I am being able to express my artistic nature, as well as being able to make a small amount of money on the side as well.

My day job outside of photography continues to drive and challenge me, and I can foresee the workload increasing here. I wish I could talk more about it, but:

  1. It is not in my nature to be secret… but I would have to kill you afterwards
  2. Nobody is here to read about me as an IT Product Manager!

On the photography side of things, I am starting to see a steady increase in work from the City Nightclubs up here in Scotland. My original club, City Perth, are bringing me back on a weekly basis on a Saturday night, and are loving the shots they are getting. They are driving 8000 hits to their Facebook and Bebo accounts, which shows that their marketing strategy of using Social Networking to raise the company profile is working, and after a discussion with the manager, it is mostly driven by my photos. As you can imagine, I am somewhat of a happy individual at that report! It looks like City Perth may be introducing a new Friday Night gig, I can’t say what yet, but it is going to be amazing, and I’m provisionally pencilled in for the opening night. I’ve the Olly Murs gig on the 23rd of April at Perth, possibly the Lisa Lashes gig on Easter Sunday at Perth, possibly “I Love… Easter” on Thursday 1st April in Falkirk, along with the weekly Saturday gigs in Perth.

Aside from the nightclub shots, I am also attending the British Downhill Series this year with Media accreditation. The first round of this is in Rheola, South Wales on the 10th and 11th of April, and some big names from the Downhill Mountain biking are signed up already including all three Athertons, Scott Mears, Chris Hutchens, Tom Braithwaite and Danny Hart to name a few. My aim for this year is to build more persona in the Mountain Biking scene. I’m also attending the UCI World Cup in Fort William this year as well like I have the past few years… I would have loved to attended the foreign events, but owing to a large number of conspiring events, money is not stretching to that. 🙁

So, 1st post down, and hopefully I’ve given anyone interested or being nosey, enough of an insight as to what is going on right now. Now I’ve got to start processing some 390 odd photos from last night in the club. Should come down to around 250-300 shots uploaded when finished.

Links

  • Judge Joe Brown knows his Photography – A cautious tale for anyone taking up photography professionally… know your stuff
  • Phunkt.com – A fellow mountain biking photographer who’s quality is amazing, but just don’t go looking for riders in hoodies 🙂
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